
Jacaranda Journey

October, 2014
Passage Note #68 Part I: Argentina - Buenos Aires and Uruguay
Our Argentinian Itinerary
We were in Argentina for 5 weeks, experiencing the diversity of this vast country in a counterclockwise direction. Beginning and ending in the extraordinary city of Buenos Aires (A: BsAs for short), we went north to the tropical climate (D: Iguazu Falls) at the Paraguay/Brazil border, west to dry valleys and puna (E: Salta region) similar to the southwestern US, south to subpolar western Patagonia (F: Perito Moreno Glacier), then to the Lake district near the largest ski center in Latin America (G: Bariloche) and finally to the northeastern Patagonia destination of Peninsula Valdes (H and I). We also spent a couple of days in Uruguay exploring Colonia and Montevideo (B and C).
Departing from our usual travel modus operandi, our time constraints dictated that we fly to our destinations - besides, most of the LONG bus trips were beyond our 14 hour stamina limit. We took at least 8 flights on Aerolineas Argentina, the notoriously unreliable national airline, and had only one problem of lost luggage that was recovered early the next day - luckily we were able to carry on without skipping a beat.

From Buenos Aires (A) to Uruguay (B and C) to Iguazu Falls (D) to Salta (E) to El Calafate (F) to Bariloche (G) to Trelew and Puerto Madryn (H and I) and then back to Buenos Aires.

From Buenos Aires (A) to Uruguay (B and C) to Iguazu Falls (D) to Salta (E) to El Calafate (F) to Bariloche (G) to Trelew and Puerto Madryn (H and I) and then back to Buenos Aires.
Buenos Aires
If you’ve traveled to The Continent before, Buenos Aires seems at once familiar and like no where else you’ve ever been - because landing in Buenos Aires is almost like being in Europe somewhere although you can’t put your finger on just where. It is known as the "Paris of South America" for good reason.
The feel of the cityscape is a strange transplanted mix of France, Italy, Germany and Spain with a South American flair all its own. The lively and cosmopolitan capital of Argentina has architecture, plazas, parks, boulevards, monuments, public sculptures, theaters, and museums that harken back to a European quality and urbanity...often in conscious imitation. The marvelous Teatro Colon, the Casa Rosada, the mansions of the Artes, the giant Flower Sculpture that furls and unfurls its petals, the sandcastle that is the Recoleta Cemetery...landmarks too numerous to mention.

Rodin's "The Thinker" in the foreground in the Plaza de Congresso

Rodin's "The Thinker" in the foreground in the Plaza de Congresso

Newly renovated, the magnificent Colon Teatro is open for tours

Newly renovated, the magnificent Colon Teatro is open for tours



A sculpture fantasyland. Most people make a beeline for Eva Peron's grave.

A sculpture fantasyland. Most people make a beeline for Eva Peron's grave.

Given to the city by Argentine architect Eduardo Catalano in 2002. The sculpture is designed to move, closing its petals in the evening and opening them in the morning (but currently disabled).

Given to the city by Argentine architect Eduardo Catalano in 2002. The sculpture is designed to move, closing its petals in the evening and opening them in the morning (but currently disabled).
Case in point: consider the Barolo Palace. This was the most impressive and tallest building in South America during the golden age at the turn of the 20th century when BsAs flaunted its unsurpassed affluence (in 1908 Argentina was the 7th wealthiest nation in the world - ranking right up there with the US, UK, Switzerland, and Australia). Built for an Italian magnate, the design is based on Dante’s Divine Comedy and no expense was spared. The richly ornamented French Renaissance style edifice has a French roof, Belgian bricks, and English terracotta tiles. Corresponding to the structure of the epic poem, the building has 3 sections divided into Hell, Purgatory, and Heaven; its 100 meters of height refers to the cantos, 22 stories to the stanzas. Each floor is split into 22 offices. And as in the Divine Comedy, the number nine is repeated throughout the building’s plan.

The President's Office building. To the left is the famous balcony where Madonna, or rather, Eva Peron addressed the people.

The President's Office building. To the left is the famous balcony where Madonna, or rather, Eva Peron addressed the people.

Built in reference to Dante's Divine Comedy.

Built in reference to Dante's Divine Comedy.